.

.

"Even a dead animal preserves more powers of intuition than some human beings with their stubborn rationality. The problem lies in the word ‘understanding’ and its many levels which cannot be restricted to rational analysis. Imagination, inspiration, and longing all lead people to sense that these other levels also play a part in understanding. This must be the root of reactions to this action, and is why my technique has been to try and seek out the energy points in the human power field, rather than demanding specific knowledge or reactions on the part of the public."

- Joseph Beuys, 1965 (How to Explain Pictures to a Dead Hare)



← On Artist Residency in Scotland over the summer 2013




← S E D I M E N T A TI O N
urns and vessels
2011 - ongoing

An investigation of Phenomenological conceptions of subjectivity
and what we conceive as ‘fake’ in opposition to the ‘real’.






← Commission for Gallery Fumi Porto Cervo Summer exhibition.
















← New collaboration with Fessler Kamine. Commissioned by Vienna Design Week and Passionswege June 2013








← Portrait by Coco Capitán for PIG Quarterly spring issue 2013 'GIRLS'.



← S E D I M E N T A TI O N
Cubic series
2013 - ongoing
















← T H E   M O N U M E N T 
Installation for Swarovski at the Design Museum
September 2012- January 2013

A moving image in symbiosis with an sculpture is telling the story
about a mythological place. A monument dedicated to friends
in the Tyrollean mountains, as an ode to craft in a digital world.


























































































← T H E   M O N U M E N T  2nd Edition
Installation for Swarovski in Innsbruck
March 2013 - October 2014

































































































← T I L E S
2012 - Ongoing









































← T H E   M A T E R I A L I T Y   O F   A   N A T U R A L   D I S A S T E R

Symbolism and myth making
2012 (MA Graduation Project RCA)

Food vessels made of clay and soil from a rice field inside the
Fukushima-Daiichi exclusion zone. Vessels contain slight radiation
but do not irradiate.
A collaboration between the artist and Naoto Matsumura, a rice
farmer and last resident inside the exclusion zone.

Project consist of 5 vessels and a 12 minute documentary about
the life of Naoto Matsumura inside the zone.

For further info, read this article.










































































































← L I G H T
2009 - 2010














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